in the 1980s and has worked for publishing and corporate clients internationally. Using a Macintosh, he has become the Windows of print.” Other Ventures īlack incorporated the design consultancy Roger Black, Inc. “He has designed more magazines than anybody else,” New York magazine writer Michael Wolff wrote in 1999. During this period he also oversaw design for the launches of Fast Company and Smart Money magazines, redesigned the San Francisco Examiner and consulted with weekly publisher Metro Newspapers. In 1985, he became art director for Newsweek magazine, followed by Smart Magazine (1988–1990) and Esquire magazine (1993). In 1982 he helped launch Out magazine with Michael Goff. He worked as art director for The New York Times Magazine from 1982 to 1984 and was promoted to director of editorial art for The New York Times in 1984. He left in 1978 and became a design director for New York and New West magazines and for Los Angeles magazine from 1978 to 1981. He undertook a complete redesign in 1977, coinciding with the magazine's tenth anniversary and transition from a pulp publication to a slick magazine. Rolling Stone magazine īlack was hired at Rolling Stone magazine as an associate art director in May 1975 and a year later became the top art director in 1976. Roger Black's first position as a publication art director was at the alternative weekly LA, edited by Karl Fleming and funded by Max Palevsky. Black attended Deerfield Academy boarding school in Massachusetts. His mother, Eleanor, worked in the business department of The New York Times in the mid-1920s and left to work at The American Mercury, a magazine published in the Roaring Twenties. Black, an architect who built more than 200 homes in Midland, Texas and several buildings in New York. Roger Black was born in Austin, Texas, to Eleanor Fox Black and J. His contributions include designs for Rolling Stone, Esquire, The New Republic, Fast Company, Reader's Digest, Foreign Affairs, the Los Angeles Times, the Houston Chronicle and the website. Roger Black (born August 18, 1948) is an American graphic designer whose work has been influential in the design of magazines, newspapers, digital typography and the web. See how you can contribute, volunteer, or add your voice to the conversation.University of Chicago (Political Science, 1970) Subscribe at or on iTunes.ĪIGA’s Diversity and Inclusion Initiative encourages diversity in design education, discourse, and practice to expand the future strength and relevance of design in all areas of society. Learn more about Maurice Cherry and his exceptional work on the Revision Path podcast- an award-winning weekly showcase of Black designers, developers, and digital creatives from all over the world. Each week, he explores the stories, processes, experiences, insights, and creative inspirations of these awesome creators. How do we fix this? Can we fix this? And what’s the overall benefit of diversifying the design industry? I explored these questions and more in this video based on my recent SXSW presentation titled “Where Are The Black Designers?” And between magazines, podcasts, and other media, the field of design can look like it’s only created for and by a certain group of people. Design conferences and smaller events promise to do better every year after unveiling speaker panels with majority white speakers. Design-driven companies in Silicon Valley like Twitter report only single-digit percentages of American employees of color. The intensity ebbs and flows, but the premise is the same: what can we do change the makeup of the graphic design community so it reflects the multicultural world we live in? The topic of racial diversity in the graphic design community has been going on for well over 20 years.
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